The dead plantsArranging dead plants found in Scaletta Zanclea had to me at times more immediate function and overall an underlying driving force.Curtain at the entrance of the castle made of dry giant fennel branches meant to mark the passage to a place where one can allow oneself more and is more open for reception, to take one defenses somewhat down. For a moment one is being brushed over by the plants, not knowing or seeing what is behind them, what is the meaning of it, and where does it lead to. Immersed and then free again to experience works that are awaiting visitors.I found beauty, inquietude and gloom in branches placed on stairs to the castle. Similarly with dry trees that became part of Martina Caronna’s and Irina Baldini’s performance.The driving force behind collecting the dead plants and making use of them is willingness to express sadness. Sadness of loosing home, sadness of loosing close people, sadness of some things that happened in my life, in life of my parents, in life of my grandparents, in all of our lives. And to accept this sadness.Thank you to all of you who got engaged with the dead plants, helped with them and changed them. Your words, gestures, deeds and sheer presence made it all happen.Jakub Bobrowski
His rebirth was a happy one, as, later on, he was the only one to swim the Scaletta sea, the strait of Messina water of the utmost blue, famous to be icy also in the summer.
The 28 night the castle seemed angry at us. From down up, the light was out in the whole village because of some strange leak in the system. No one really felt like to climb again the couple kilometres or so of steep path. But Kuba had to carry the trees…
And the shadow of the dead forest hugged the walls around, climbed the castle, that was wan.
Machbet act IV, scene 1