Awareness, art, territory and transformation
Trasformatorio is an international laboratory focusing on research related to site-specific performance.
It’s objective is to integrate the practice of the hacklab with the research over performative arts and sustainability and embrace the place is hosted in. The name, trasformatorio, holds the idea that art is an agent of transformation, and that using art bound methodologies to grow understanding and connoection in a area can lead to peace and development.
Trasformatorio Residence in Amsterdam (early october)
Trasformatorio lab 2020 (march 2020, Sicily)
Follow us on the usual social media
Trasformatorio 2020 will be hold in partnership with:
|BIAS 2018: Biennale di Arte Sacra e delle Religioni dell’Umanita’ 2020|
|Cairotronica Cairo Electronic and media art symposium 2020|
|Dyne.org foundation Think and Do Tank|
|Siddarte Art Productions Messina (Sicily)|
|Associazione Lalleru Messina (Sicily)|
|Museo Informatica Funzionante Palazzolo Avreide (Sicily)|
Edition 2018 videos
Some clips from the 2018 edition of Trasformatorio. Long awaited. There is a ton of documentation that waits to be set up and published. The best way to get it done is still to drop to Giampilieri and ask the people about what happened one and a half years ago. Working to this deocs wile thinking to a new edition soon.
Video Edizione 2018
Video Edizione 2018
The Documentation of Trasformatorio 2018-2019 actions in Giampilieri is a difficult and time consuming task.
The action of 2018, when 35 artists arrived in the small village hit by catastrophe 9 years before became a turning point for our experience and our methodological awareness.
A lot of thinking went into the process of collecting the stories, cataloguing the artworks, going over opposition and misunderstandings, participating to events launched by the community autonomously after our intervention
We are working to the publication of our vast documentation from Trasformatorio. It deserves work. So far we need to publish the complete list of participants to 2018 edition.
NB: Kintsugi Kintsugi (金継ぎ, “golden joinery”), also known as Kintsukuroi (金繕い, “golden repair”), is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum, a method similar to the maki-e technique. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise.
A village in the south of mediterranean part of a big city forgets his territory; for half a century land burns and becomes unproductive and underpopulated
a terrible landslide in october 2009 claims the dead and then, to put everything in safety, a river of concrete poured in to frame the cut and emprison the mountain above
GIAMPILIERI: the cut
For those who stay, those that go away, the ghosts and the empty houses
Samuele Albani musician media artist (RSM) Ludovica Avetrani (ITA) August Black Radio artist (USA) Monica Cannillo textile restorer (ITA) Martina Caronna dancer performer (ITA) Ezio Cicciarella sculptor (ITA) Giulia Della Valle sound artist, videomaker(ITA) Irene Domingues dancer visual artist (ESP) Claire Ducene visual artist (BEL) Teal Gaure TG media artist (HUN) Ahmed Helmy filmaker, visual artist (EGY) Ilya Kuzubov visual artist (RUS) Mikko Laajola (FIN) Aleksandr Menukhov visual artist (RUS) Rossella Midili photographer (ITA) Rosa Mundi (ITA) Emmanuel Ndefo dancer (NGA) Jana Nunich visual artist (SVN) Eva Polare (ITA) Mose Previti writer (ITA) RE Visual Artist, Painter (ITA) Jerneja Rebernak visual artist (SVN) Louis Rodil Fernandes media artist (NLD) Iwona Rozbiewska performer, visual artist (POL) Rosaria Sfragara actress (ITA) Cristiano Siri dancer performer (ITA) Nino Triolo visual artist printmaker (ITA) Azahara Ubera dancer, hybrid artist(ESP) Hans (Hansko) Visser Composer (NL) Gabriele “Asbesto” Zaverio Multimedia Artist (ITA)
Federico Bonelli (IT/NL) Giuseppe Morgana (coordination) Monika Schwenk (Cook) Antonio Cardubbo (runner) Rita Valeriano (assistant)
Donatella Manganaro Marco Minutoli Antonino Bonfiglio Michela Barnà Andrea e Caterina Lando Irene Bottari Alessandra Bottari Antonio Micali Francesco Micali Francy Stefano Restuccia Paolo Restuccia
Assessorato Collettivo Antonello
Federico Alagna Pier Paolo Zampieri Alessandra Mammoliti Maria Teresa Zagone
Roberto De Luca
Radio Start Me Up
Pro Loco Messina Sud
Associazione Tamatià (Scaletta Zanclea)
About the first part of the residency of RE in the Nederlands
Amsterdam 17-30 September
RE arrived in time at Shipol Airport with a flight from Catania. She is a blonde woman, she is born sicilian and is bilingual sicilian-german from her mother side. She has acedemy of arts background, a direct way of dealing with all kind of people and a very strong will. She has developed her talent in the years after her diploma with stubborn focus and hard will. She is ready for The Nederland and she looks around.
When I finally got, after many years, the chance of organising residencies in Amsterdam I had no doubt that the first one had to be her.
We know each other since around 2013. We shared together the experience of the first trasformatorio lab and with her companion Giuseppe Morgana they have been the backbone of the last two labs made in sicily and one of the reasons of their success.
But I wanted to have RE here, as first of we hope many artists we can present and introduce properly to the dutch public,for artistic reasons.
RE does not work from a concept. She has many sources of inspiration in wich she dives with in depth fascination but this is not the core of her effectiveness. She works the concept through, like a path to a place were something has to happen, like a folk story, like a misguiding suggestion from a crook. Her thought becomes first action and matter and color, at last, like in a magic mirror finds a name.
In the years I have learned that her art has forms, a necessity, is grounded into coherence and consistency but no words are necessary before the action to realise it. RE channels impressions through her rich palette of media and asks the world to say the last word on the result. Her titles are then a good closing act for the effort, and come from her preliminary fascinations, but as in a ritual they are results. Touches of a bell or of a gong, to dispell the force she kept a bay. Yet there is nothing automatic in her doing.
Often her pieces are left to the environment while in the process of making. She did a bit the same in my studio last week, using rain and dust and the drying of the layers braking up. Found substances, that are inclobated in the colors are often incompatible chemically, they cross with unpredictable effects and sometimes I find myself surprised that she knows how to fix them, in unexpected moments, addig one substance or another to the mix. Images gets imagined then, growing layer by layer, by the gesture and feedback with her mind and the atmosphere in the room: RE acting in light trance hanging over the piece and images forming and disappearing in the process.
She works with a fascination, an idea, often for months. And then mixes incompatible chemicals and strange substances directly on the support, touching it, with long brushes or the fingers, using all kind of found material, plants, lacks, soap, glue. The piece “emerges” from her actions like a small wonder.
I saw her paintin in her big house atelier in Milazzo, in front of the Eolian island in the province of Messina with similar intensity and cromatic effectiveness.
It has been in this days a great pleasure to work out in my studio near the Wateringshaans, taken by philosophical thoughts, encounters, found objects and my apparently casual looks in the evening when I would pass to see how she was doing.
Avidly, incessantly, she transformed what she found, in the way we have learned together to do and produced 3 very good pieces as a preparation, a worm up, for the rest of the stay, in Groningen, organised by Hans “Hansko” Visser and the Ceda and Olgica Foundation.
Presentation of her woork in Groningen is scheduled for Sunday 13th of October, from 15.00 onwards, with live/life-boat-instant-composed-music by carefully selected improvisers.
As far as presenting the whole of the work we will try to get a good spot, so all interested people are invited to come.
As Hansko says, “we will have bread and wine”
So I should not forget to give you all a bit of links and context here they are:
- She worked on a big installation, titled “Numero Cinque”. Is a Mixed media assemblage of 9 found drawers, with the 9 pieces interconnected in precise schematics, (about 220×311, the square will hang in diagonal. The ispiration comes from the air of the Marci Panis I suppose…
Trasformatorio Residencies are an effort to make artists that participated in Trasformatorio site specific lab, in particular those coming from south mediterranean areas to come to present their work in the Nederland. We think the best way to introduce them is to ask the artists to make new work using our studios as prime matter.
We are activelly looking for partnerships.
Contact Federico (email@example.com) if you like to participate or help.
In 2019 we got into a great adventure.
The place was Giampilieri, a small village hidden between the sea and the mountain in the metropolitan aarea of Messina, Sicily.
Artists from all over the world, gathered there at the last minute for the Trasformatorio lab had the chance to know the people, the stories, the troubles and the incredible vitality of the village. It has been a great ride.
Tomorrow is going to be a recurrence of 10 years from the tragic events that has filled with sorrow the harts and with scars the landscape.
I am sure there will be time to think and mourne and celebrate. Our friends will be glad to know we stand with them, happy to see now soo many traces of Giampilieri in our work since and of our work in the new directions you all took. The whole village is keeping transforming, with his own colors and energies, and is inimmaginable and moving.
There is a lot of love to share for the living in Giampilieri. And we will make more road together of this we are all sure.
Please accept again, as memory of the part we shared, of the walks, of the sounds, of the stories, of the visions and the laughter, of the tears and the smiles, our biggest hug.
the whole of Trasformatorio
Sept 30 2019
Flown in from the volcanic center of the Mediterranean to the northern comforts RE is in Amsterdam for the first FORLMAL Trasformatorio residency out of Sicily.
The concept is developed in connection with Hansko Visser, Dierk Roosen and NDSM Treehouse but, since the venue in north of Central Station is a bit late opening, is taking place for now in FBP studio: in Marcusstraat 52.
RE will start exploring and transforming starting out from the themes available in the dying cultural landscape of heavily gentrified Amsterdam, starting from sowers and garbage as a good artist should. So far we attempted the rescue of a huge rat and failed, found a behive of dead bees abandoned below a luxe condo and noted the brand new Lotus parked in its garage.
RE will move at the end of the month to Groningen for a 2 week intensive transformation organised by Hansko Visser named temporarily ” modern icons for the non-saintly, floating” and realise a more complex work for the northern city.
During her work in A-town you can reach her via fredd: consider donations in old windows and good stories.
The opening of her exposition in guerrilla gallery “Pilot” on the canal of the Spilsluizen in Groningen will be on Sunday 13th of October, from 15.00 onwards, with live/life-boat- instant-composed-music by carefully selected famous improvisers.
A beautiful gift to the town, to celebrate its last horeca-free zone!(dutch for gentrified leisure)
We will have bread and wine.
For more information
The novelty is real.
The foundation “the Treehouse” and dyne.org agreed to join in a communal experiment around the NDSM treehouse, a new temporary studio space in noord amsterdam. It will be part of a wider research and experimental setup that involve this space and aims to create and enforce communal creation and social art projects.
Very down to earth: income generated by the shows, the bar, the parties and overall the artistic program will go in a separate pot from the rent of the space. This pot that will be completely controlled by an autonomous assembly of the artists that will co design the space rules. And it will be allowed by dyne.org.
Every profit from coffee or beer drinked in the space will go back into sustaining the production of the emergent artistic scene guested by the house. This experiment will rely on an internal digital currency co-designed with the first renters of the spaces within a small pilot for EU CAPPSI project “Commonfare”.
So far for the laylines of the event. But were does this come from and how we managed to be part of it?
In the early 2k’s NDSM used to be a home for Amsterdam’s alternative scene. A former shipyard in a remote part of town. You had to cross the harbour to get there, and bike a good 30 minutes from Central Station. In the area a commistion of freaks, squatters, artists and teathermakers were building stages, machines, scrapyard sculptures. Ravers were populating that space as a TAZ (Temporary Autonomous Zone) and amid scrap you could find interesting artists, stoned faces of students and party people and antisocial cyberpunks in improvised saunas.
All this before this space, as any space in the city, followed the path of the methodic gentrification. Amsterdam is now populated by copies of the original scene, sanitized and rendered less obtrusive, fruible to the mass of the coffee standbyer turism. And moreover “pictoresque” enough to attract urban development.
NDSM zone is now one big reconfigurable space for the Creative Industries, temathic festivals and roadshows were forever young people are lured have a “nice time” in the sun.
Criticism for the capitalistic drive of modern life set aside and in all this landscape a foundation imagined and operated by two members of the long lost “alternative scene”, decided to set foot for a unusual operation: re-install a space for art production that could welcome artists to a decent fee and attempt to rise a community.
The Treehouse construction is rising as we speack, out of recycled shipping containers and scrapped wooden barraks. Will become in the plans of the builders to be a structure that resembles a crossover between a cyberpunk garbage park and a Cashbah. But has aspirations we want to help out: to be a place for meeting up, for transformation, to catch up and work hard with fellow dreamers. It is maybe a complicated and overarchieving plan we fell into, and this makes it exactly the type of plan that deserves our attention.
The Treehouse will be populated by artists looking for cheap temporary space to develop a project: musicians, visual artists, actors, dancers and open to their collectivizing economy through an experiment in use of digital coin…
This novelty, that should be a tool to identify and protect values shared by the artistic commoners, has been designed by dyne.org in the context of the over mentioned commonfare EU project. Already tested in Santarcangelo Festival last year and up and running in the famigerate art-squat MACAO in Milan.
As well there will be a small teather, a space for showcasing ideas and jamming, a cafe build around a common kitchen/small restaurant and some other fancy addiction to the community activities (and cashflow) still hard to forecast.
Dyne will have its small space, a coin-lab-observatory, hosting various activities in the treehouse village and as well will set up as a space to share ideas through both the co-design activities tied to the last moments of the commonfare project and of future research we will be surely involved, set around the use of complementary currency for value mapping and horizontal organisation.
We will continue to report on it.
As far as dyne-Trasformatorio goes, we plan to help building the community, to prolong the influence of the commonfare project and various activities we already started planning. Something for sure will happen around the next equinox, in collaboration between trasformatorio and this flamboyant artistic co-community of and the artists in our extensive network.
Iterations is a European project committed to the future of artistic collaboration in networked digital contexts. Artists and multidisciplinary professionals come together to create speculative works that feed the imagination of possible ways of artistic collaboration.
Through a series of practical residencies and discursive exhibitions, Iterations offers situations in which artists experience collectively new forms of artistic work that create spaces for collaboration.
The project is structured around the conceptual model of “iteration” inspired by the recursive forms of collaboration as they exist in the development of open code software, the Iterations project applies the repetition and circularity of artistic methodologies, in which the result of one activity is used as a starting point for the next.